The Creative Cloud is a subscription plan - for an annual fee, you have access to: Note that video editing has moved from the Extended version to the Standard version.) Upgrade pricing is available to owners of CS3 or later, though for CS3 and CS4 owners, it will expire December 31, 2012.Īs before, you can also purchase the stand-alone version of various bundles of subsets of Creative Suite software which include Photoshop CS6. (Photoshop CS6 Extended, which contains the ability to create and manipulate 3D objects, is $999/$399. The traditional stand-alone Photoshop CS6 full version will be $699, and the upgrade will be $199. There are now therefore two ways to purchase Photoshop CS6 - as we are accustomed to, through purchase of the stand-alone traditional product, and now also through the new Creative Cloud subscription service.īelow is my early take on the options. It's just a tool, nothing more.As I mentioned in my last post, Adobe today announced the upcoming release of both the CS6 Creative Suite, including Photoshop CS6, and Adobe’s new Creative Cloud subscription service. I think it is worth reminding oneself that Photoshop will not make you a better photographer, and that most of the really great photographs in photography's history were taken before there was any such thing. Whilst Affinity is not quite a replacement yet, I have bought it to encourage them and hopefully soon it will be. Would I have paid that much for an upgrade to the new features? ROTFLOL. If CS6 is eight years old then to have switched to CC then, would have now cost 8 x $10 x 12 = $960. They could give the development team a year off and it wouldn't affect their income. There is nothing that I need Photoshop for that I cannot do in CS6.This also confirms my initial suspicion that the subscription model would provide no incentive for Adobe to actually make any significant improvements. The key word for the new features is 'convenience' - I am extremely underwhelmed. It confirms my decision to stick with CS6 as the right one. The only way around that is to run antiquated software on antiquated hardware - which doesn't seem very appealing to me. One can use a standalone piece of software for years, but eventually, newer hardware won't be able to run the older software, and the updated software will have to be purchased. In practical terms, all software has a cost in perpetuity. So, does this not make PS and LR more accessible to the hobbyist? I also look at it this way - would most hobbyists shell out $700 for an individual copy of PS plus several hundred for LR? I would venture to say that most wouldn't. use their phones, P&S cameras, etc), but my guess is that the majority of them are not using PS or LR to process their photos, if they process them at all. Obviously, there are not-so-serious hobbyists who spend less on their equipment (e.g. If one considers that most hobbyist photographers spend over $500 for their cameras and lenses (and usually much more), $120 per year for the post processing software, plus storage, is not really that expensive. I prefer to look at it in context of the total cost of photography as a serious hobby. $10 a month is not much to spend for a hobby that one enjoys. To me, it is no different than my monthly Netflix subscription, or the cost of paying for time on a tennis court. And it's not just the single user, it's companies and industries that will need to change, which is a much more difficult thing to do.Īs a hobbyist, I don't mind the subscription model at all. If there is no competition, we will all be paying our dues to Adobe for the foreseeable future. And it's as if Adobe is dominating the industry in Photo-manipulation, video editing, motion graphics and, it makes it possible to work with all these types of media and software together. I don't like renting software, no one does. And the business model Adobe is exploiting makes it possible to develop updates, use AI and integrate into the whole software bundle within Creative Cloud. There have been a considerable amount of updates over the past few years. It was dreadful, and with CS6 it's still the case. If you're starting with Photoshop now, you will never know the time spent on comping and masking out a character's hair to use in a different image. Selection tools in Photoshop have improved over the past few years.
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